Westway… shines brightly in a fickle indie scene, as Sticky Fingers have been able to mix the raw with the roar and build a record the soothes the hurt of the past. You will see the progress of the file transfer. 2) Click the 'Start Upload' button to start uploading the file. You can then select photos, audio, video, documents or anything else you want to send. Acoustic number, ‘Amillionite’ proves to be the medicine Benefits of using Zippyshare: 1) Select a file to send by clicking the 'Browse' button. Though as the album continues, the process of healing grows stronger in sound. Opening track, ‘One by One’ amplifies the soul searching Sticky Fingers has done the most, as singer Dylan Frost crones, “We reached for the stars but if fell downwards” recognising previous faults, and giving an insight into the past climate of the band.
'Sad Songs’ is an infectious cut, and a ready-made radio tune prescribing to the Brit-Pop theme, while lead single ‘Outcast at Last’ is constructed by a funk infused base line, and along with ‘Something Strange’ which features rapturous rapper Remi, hints the most toward the reggae/dub sound found on Caress Your Soul. It is a sound that fits them well, as sonically, they master the ability to weave walls of guitar with intricate synth-scapes and melodies that are built for one purpose, to hook.
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On Westway… the band has escalated to full Britpop/Alt Rockers, and the experimentation continues. Sticky Fingers development and progression was prominent through Land of Pleasure as the song writing improved to a stage where the band felt confident to experiment with their sound. It’s a showing of inherent vulnerability. We find in Westway… a sense of reality check, recovery and sensitivity. With bulging egos, rehab and in-fighting the band were on the brink of collapse. Although, Westway… is lucky to be in existence, as the vagabonds of relentless touring, riding high on recognition and acclaim, nearly completely burnt themselves out from championing Land of Pleasure. What we are left with is a very natural progression from Sticky Fingers previous endeavours, with a further push into the ambient and straight up rock. It has almost completely vanished on their latest record, Westway (The Glitter and the Slums). The strong reggae/dub influence of Caress Your Soul which brought the band to the fore in the icky faux electronica/indie pop staunchness of 2012, slowly dripped away through 2014’s sophomore Britpop infused and commercially successful Land of Pleasure. Only three records deep into their story, Sticky Fingers have already created what seems to be a broad and eclectic catalogue of music.
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